Being in her grandmother’s garden as a child made Geo realize that she did not identify with her human family, but rather with one formed of insects, flowers, herbs, worms and other non-human beings.

Geo Barcan’s work is based on the collaboration between multiple mediums such as filmmaking, installation art, writing, web-based art and performance. She is interested in storytelling and autofiction, in surfacing the miraculous of the ordinary by examining human-non-human relationships.